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165
Carcass by Soutine. 1925.
166
- It's not on the syllabus.
- No, it's not.
167
Is it any good?
168
Come on, ladies.
There's no wrong answer.
169
There's also no textbook
telling you what to think.
170
It's not that easy, is it?
171
All right. No. It's not good.
172
In fact, I wouldn't even call it art.
It's grotesque.
173
Is there a rule against
grotesque art?
174
I think there's something
aggressive about it...
175
...and erotic.
- To you, everything is erotic.
176
- Everything is erotic.
- Girls.
177
- Aren't there standards?
- Of course.
178
Otherwise a tacky velvet painting
could be equated to a Rembrandt.
179
My Uncle Ferdie has two tacky velvet
paintings. He loves those clowns.
180
There are standards, technique,
composition, color, even subject.
181
So if you're suggesting
that rotted side of meat is art...
182
...much less good art,
then what are we going to learn?
183
Just that.
184
You have outlined our new syllabus,
Betty. Thank you.
185
What is art?
What makes it good or bad?
186
And who decides?
187
Next slide, please.
188
Twenty-five years ago someone
thought this was brilliant.
189
- I can see that.
- Who?
190
My mother. I painted it
for her birthday.
191
Next slide. This is my mom.
192
- Is it art?
- It's a snapshot.
193
If I told you Ansel Adams had taken it,
would that make a difference?
194
- Art isn't art until someone says it is.
- It's art!
195
- The right people.
- Who are they?
196
Betty Warren!
197
- We're lucky we have one right here.
- Screw you.
198
Could you go back
to the Soutine, please?
199
Just look at it again.
Look beyond the paint.
200
Let us try to open our minds
to a new idea.
201
All right, back to chapter three.
Has anyone read it?
202
Okay.
203
"When your courses are set,
and a dream boat you've met...
204
...have a real cigarette.
Have a Camel."
205
I've got my courses, I've got my Camel
cigarette. Where is my dream boat?
206
- Giselle, where is my dream boat?
- Betty's cousin isn't good enough?
207
- I haven't met him.
- Don't encourage her.
208
He's only escorting
Connie as a favor.
209
Why are you like this?
210
I didn't mean that.
211
I'm just under so much pressure
with the wedding.
212
Do you realize November 2
is three weeks from now?
213
- Oh, honey.
- Don't have it.
214
- Don't come.
- Here. Here.
215
I'm working on table seating now,
so I can just erase your name.
216
- Can I see it?
- No.
217
Let me look.
I can't look for a second?
218
- You want to see where Bill is sitting.
- No. That is over. Right?
219
Right? Giselle, right?
220
Damn it.
221
- Do I look a little bit like her?
- Like who?
222
- Katherine Watson.
- You mean, "crap is art"?
223
- I think she's fabulous.
- Well, no man wanted her.
224
- She isn't dead.
- She's at least 30.
225
- Oh, no. No.
- I guess she never wanted children.
226
For your information...
227
...Katherine Watson had to take
this job to escape from California.
228
Please.
229
She had a torrid affair
with a Hollywood movie star.
230
- She came here to get away.
- That's ridiculous.
231
- Who was it?
- I don't know.
232
Who was it, Giselle?
Don't be a pimple! Tell me!
233
- It's ridiculous.
- Tell me. No, it's not. You know.
234
- You know something. Tell me.
- It's William Holden.
235
- Fantastic!
- I know.
236
Who is it?
237
William Holden.
238
I know. I know. I'm late. I'm... Abject
pleading, apologies, forgiveness.
239
Is she giving you any trouble?
240
If these girls can't get back on time,
know what I say? Lock them out.
241
Come on. Out! I'm going
to lock the door. Out!
242
Bedtime, ladies. Bedtime.
Let's go. Bedtime.
243
- Hey, Betty.
- Quiet time, ladies.
244
Women like Katherine Watson
don't get married...
245
...because they choose not to.
- No woman chooses to live...
246
...without a home, unless she's
sleeping with her Italian professor.
247
- You are so critical.
- I am not.
248
Of course you are.
You're your mother's daughter.
249
It's a classic Electra complex.
250
I don't blame you. I mean...
251
...who wouldn't want
to murder your mother?
252
- Hey. How's the Harvard sweetheart?
- Divine.
253
Got an extra ciggie?
254
- Did you do his homework?
- Of course.
255
- Want to do mine?
- No.
256
This isn't what I think it is. Is it?
257
Where'd you get it?
258
From the school nurse.
259
- It's against the law.
- Oh, honey. It's a girl's best friend.
260
- A certain kind of girl.
- Meet the last virgin bride.
261
- Spencer is a gentleman.
- And even gentlemen have dicks.
262
- Maybe I'll get one.
- What? A dick?
263
Don't be stupid, Connie.
264
Someone, somewhere,
someday might be interested.
265
Just in case.
Just in case, I'll be prepared.
266
Was that necessary?
267
I was taught it's best
to speak honestly.
268
Okay. You're a bitch.
269
We recently learned
that Amanda Armstrong...
270
... our nurse, has been distributing
contraception to Wellesley girls.
271
This revelation is disturbing
to an institution...
272
... that prides itself on propriety.
273
Go, go, go! Go, go!
It's been going on since the late '80s.
274
- Whoever wins is first to marry!
- Do the girls take it literally?
275
Only the girl with the winning hoop.
Oh, look, it's Phyllis Nayor!
276
Good for her. It gets me every time.
277
- Why the buggies?
- They've got their man.
278
They're wishing for their babies.
279
Have you seen this?
280
What is it?
281
It's a front-page attack on Amanda
Armstrong. Betty Warren wrote it.
282
"By providing contraception
on demand, our school nurse...
283
...is little more than a cheerleader
for promiscuity." Wow.
284
Oh, they're not going to dump her
in a lake!
285
- I'm coming, Phyllis!
- Have you seen this?
286
I wouldn't worry. Betty's just
a young girl flexing her muscles.
287
So was Lizzie Borden,
and her mother wasn't president...
288
...of the alumnae association.
- Would somebody get that girl a towel!
289
- That's her mother?
- Apple, tree.
290
Is Amanda going to get into trouble?
291
Amanda needs to start
minding her p's and q's.
292
The trick to surviving Wellesley
is never getting noticed.
293
Ciao, Mona Lisa.
294
The big war hero.
295
He thinks he's something special.
296
He sleeps with his students.
297
The gold is fine.
The napkin rings are vulgar.
298
The glassware should be trimmed
with gold.
299
The little sugar boxes, gold and white,
filled with chocolate. No candlesticks.
300
- Freesia instead of daisies.
- Wise choice, madam.
301
No baby's breath.
302
- You already had your fitting?
- We're on our way.
303
Here's the seating chart
and Spencer's list of groomsmen.
304
Oh, I almost forgot.
305
I spoke to him about reading the
poem. He'd rather not. I said all right.
306
Excuse us for a second, Joan.
307
A good wife lets her husband
think that everything's his idea...
308
...even when it's not.
- I don't care if he reads it.
309
You will in retrospect.
310
Now, why don't you see if you
can't nudge the idea into his head.
311
I've been here now
for 21 years, Jocelyn.
312
- I remember you as a student.
- Twenty-four, if you count that.
313
So why the theatrics?
314
We cannot appear
to promote sexual promiscuity.
315
Okay. It's about appearances, then?
No.
31
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